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Katie ‘Bambi’ Baird: Muses

Interview by Dani Maldonado Photography by Mariana Isa I have never once called Bambi by her real name in my

L.A. Witch

L.A. Witch is—yes, you guessed it, founded by L.A. natives. The psych, sexy, moody-sounding trio just dropped their new LP,

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Long-time skater Macarena Ailén who was once leaving her mark on the streets of Argentina now finds herself exploring and

Aylen ‘Aylu’ Benitez

After the recent release of her skate part Impacto, we were eager to get to know Aylu a bit better.

Core Value // Innovation & Creativity
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Core Value // Innovation & Creativity
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Core Value // Innovation & Creativity
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Core Value // Innovation & Creativity
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Core Value // Innovation & Creativity
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Core Value // Innovation & Creativity
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Core Value // Innovation & Creativity
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Core Value // Innovation & Creativity
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Core Value // Innovation & Creativity
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Core Value // Innovation & Creativity
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Core Value // Innovation & Creativity
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Core Value // Innovation & Creativity
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Core Value // Innovation & Creativity
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Core Value // Innovation & Creativity
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8,747 Responses

  4. I am editing a short podcast introduction with music underneath the first sentence. The cue sounds acceptable alone, but the overlap is harder to judge. Before changing the source, I need to check whether the mix itself causes the distraction. My first comparison would keep the narration and music levels unchanged. I would also retain the original cue so every change remains reversible. The narrator has a soft delivery, and the cue includes a sustained background layer. I would listen to the opening both on headphones and on a small speaker, noting whether individual words remain easy to follow at a comfortable volume. I came across suno fix while looking for possible approaches to this question. I have no comparison from this cue yet, so I cannot describe a result. Reducing a distraction would matter less if the musical entrance lost its shape. What would you compare first when speech and generated music compete for attention?

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