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Katie ‘Bambi’ Baird: Muses

Interview by Dani Maldonado Photography by Mariana Isa I have never once called Bambi by her real name in my

L.A. Witch

L.A. Witch is—yes, you guessed it, founded by L.A. natives. The psych, sexy, moody-sounding trio just dropped their new LP,

Macarena Ailén

Long-time skater Macarena Ailén who was once leaving her mark on the streets of Argentina now finds herself exploring and

Aylen ‘Aylu’ Benitez

After the recent release of her skate part Impacto, we were eager to get to know Aylu a bit better.

Core Value // Innovation & Creativity
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Core Value // Innovation & Creativity
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Core Value // Innovation & Creativity
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Core Value // Innovation & Creativity
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Core Value // Innovation & Creativity
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Core Value // Innovation & Creativity
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Core Value // Innovation & Creativity
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Core Value // Innovation & Creativity
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Core Value // Innovation & Creativity
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Core Value // Innovation & Creativity
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Core Value // Innovation & Creativity
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Core Value // Innovation & Creativity
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Core Value // Innovation & Creativity
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Core Value // Innovation & Creativity
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8,761 Responses

  1. I am editing a remote podcast interview for a local history group. The conversation is clear and worth keeping, but a few transitions contain tiny digital ticks and a light shimmer around some consonants. Because the guest speaks quietly, I do not want aggressive processing to make the voice sound flat or distant. I have been reading about different ways to inspect a recording and came across a neutral cleanup overview. I am not looking for a one-click promise; I need a sensible review process before I touch the final edit. Would you begin with visual inspection, careful listening, or short comparison exports? The guest’s voice needs to stay natural. Each limited repair should be easy to undo. I can work on separate troublesome moments at a time. The dialogue must remain believable. I would prefer subtle adjustments over broad filtering. A quiet comparison export would help with judgment. I also need documented notes for the producer. The room tone should remain soft. The final episode must still sound warm. Each decision should remain clear to explain. I can review it at quiet volume. I can accept a trace of noise if the words remain easy to follow. What has worked well when a spoken recording needs careful repair? I would value examples from editors.

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