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Katie ‘Bambi’ Baird: Muses

Interview by Dani Maldonado Photography by Mariana Isa I have never once called Bambi by her real name in my

L.A. Witch

L.A. Witch is—yes, you guessed it, founded by L.A. natives. The psych, sexy, moody-sounding trio just dropped their new LP,

Macarena Ailén

Long-time skater Macarena Ailén who was once leaving her mark on the streets of Argentina now finds herself exploring and

Aylen ‘Aylu’ Benitez

After the recent release of her skate part Impacto, we were eager to get to know Aylu a bit better.

Core Value // Innovation & Creativity
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Core Value // Innovation & Creativity
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Core Value // Innovation & Creativity
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Core Value // Innovation & Creativity
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Core Value // Innovation & Creativity
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Core Value // Innovation & Creativity
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Core Value // Innovation & Creativity
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Core Value // Innovation & Creativity
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Core Value // Innovation & Creativity
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Core Value // Innovation & Creativity
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Core Value // Innovation & Creativity
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Core Value // Innovation & Creativity
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Core Value // Innovation & Creativity
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Core Value // Innovation & Creativity
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10,157 Responses

  1. My phone keeps making my skin look different in every room, so I am questioning the undertone notes I made from photographs. In indirect daylight, my complexion looks fairly neutral. Under a ceiling light it looks warmer, while the camera sometimes pushes the whole image toward pink. The background changes too, which seems like a warning sign. I found descriptions of skin tone analysis but I do not know how much faith to put in an automatic phone image. I would avoid direct sunlight on my face. I can turn off beauty filters. I could hold the same white card beside my face and photograph it at roughly the same time on several days. Is it useful to keep camera settings fixed? I could note the settings beside each photograph. I would also compare the actual fabric in a mirror, because the photo may be recording the room more than my skin. I would rather ignore differences caused by the camera. For people who have done this carefully, which lighting conditions gave consistent observations, and when did you decide a photo was misleading? I am happy to repeat the test if that makes it clearer. A practical checklist would help me separate the camera settings from the colors I am trying to judge.

  2. My phone keeps making my skin look different in every room, so I am questioning the undertone notes I made from photographs. By a shaded window, my skin seems fairly neutral. Under a ceiling light it looks warmer, while the camera sometimes pushes the whole image toward pink. The background changes too, which seems like a warning sign. I found descriptions of skin tone analysis but I do not know how much faith to put in an automatic phone image. I would stay away from strong shadows. I can disable the portrait effects. I could hold the same white card beside my face and photograph it at roughly the same time on several days. Would fixed exposure and white balance help? I could note the settings beside each photograph. I would also compare the actual fabric in a mirror, because the photo may be recording the room more than my skin. I would rather ignore differences caused by the camera. For people who have done this carefully, which lighting conditions gave consistent observations, and when did you decide a photo was misleading? I can try the setup more than once to check consistency. A practical checklist would help me separate the camera settings from the colors I am trying to judge.

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